New this week: Radcliffe gets weird, ‘Causeway’ and Phoenix

This combination of images shows promotional art for "Manifest," a series airing Nov. 4, on Netflix, "Enola Holmes 2," a film premiering Nov. 4 on Netflix and "Causeway," a film premiering Nov. 4 on Apple TV+. (Netflix/Netflix/Apple TV+ via AP)
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Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services This week.


— Elvis, Elton John and Freddie Mercury have all gotten the biopic treatment. Now, it’s finally Weird Al’s turn. In “Weird: The Al Yankovic Story,” Daniel Radcliffe plays the parody pro through his life — or, at least, a version of his life. Yankovic, himself, co-wrote and co-produced “Weird,” directed by Eric Appel. And, as you might expect, the “White and Nerdy” singer-songwriter fills the tale with plenty of satirical touches nodding to the usual conventions of the music biopic. Yet it’s also full of surprises. In my interview with Yankovic and Radcliffe, Yankovic said “Weird” “is funny because it shouldn’t exist.” “Weird,” Roku’s first original film, streams Friday via the streaming device.

— Enola Holmes (Millie Bobby Brown) is on the case, again. The Netflix sequel “Enola Holmes 2,” debuting Friday, quickly follows up the charming 2020 film that adapted Nancy Springer’s book series and Arthur Conan Doyle spinoff. The sequel teams the younger Holmes with her famous older brother detective (Henry Cavill) for a multithreaded mystery that picks up some of the original’s strands (Helena Bonham Carter returns as Enola’s mother) while extending into the working conditions of 19th century London factories.

— In her first leading role in four years, Jennifer Lawrence stars in, and produces, “Causeway,” Lila Neugebauer’s drama about a U.S. soldier named Lynsey (Lawrence) rehabbing at home in New Orleans after a brain injury suffered while on tour in Afghanistan. A gentle indie about trauma and recovery, “Causeway” is lifted by the warmth of Brian Tyree Henry, who plays a local mechanic with his own painful past who befriends Lynsey. Debuts Friday, on Apple TV+. ( Read AP’s review.)

— AP Film Writer Jake Coyle


— George Lopez’s new sitcom is a family affair. In NBC’s “Lopez vs. Lopez,” the actor-comedian stars opposite real-life offspring, Mayan Lopez. Their fictional versions of dad and daughter are unlikely roommates with a rocky relationship. The 2002-07 comedy “George Lopez” remains one of the few Latino-led hits on TV, which continues to struggle with depicting America’s second-largest ethnic or racial group behind non-Latino whites. “Lopez vs. Lopez,” with Selenis Leyva and Al Madrigal in the cast, debuts 8 p.m. Eastern Friday.

— Abrupt cancellations and unresolved stories used to be a common affront to viewers. Now other platforms can come to the aid of an axed series, as is the case with “Manifest.” After NBC ended its run at three seasons, it redeemed itself in repeats on Netflix and earned the chance for a proper finish. A total of 20 new episodes will be released in two parts on the streaming service, with the first half out Friday. To recap the premise: An airliner lands safely in New York after a rough flight, but the passengers’ relief vanishes when they realize five years have elapsed in a few hours. Stars Melissa Roxburgh, Josh Dallas and J.R. Ramirez are back for the big reveal we want, eventually.

— With patience, even an 18th-century novel can get a TV prequel. It helps that the book at hand is “Dangerous Liaisons,” an amorality tale repeatedly adapted for stage and screen, including the Oscar-winning 1988 film. In the new Starz version billed as a “bold prelude,” Camille and Valmont are young, in love and in Paris as revolution looms. Alice Englert and Nicholas Denton play the pair destined to become architects of scandal and tragedy as, respectively, the Marquise de Merteuil and Vicomte de Valmont. Lesley Manville co-stars as the reigning marquise in the series debuting 9 p.m. Eastern Sunday.

— AP Television Writer Lynn Elber